As the world recovers from the destruction of the Chernobyl disaster, William Shakespeare Jr. the Fifth attempts to restore the human race's great works of art.
Radically obscurantist contemplation on Skakespeare's classic play presents itself as a wild associative stream of images and sound, in a for Godard typically brilliant montage, but presupposes an audience of polymaths; for everybody else it is of limited interest.
Halliwell (no star): "Sheer nonsense doodled by the director with someone else's money."
Maltin*1/2: "Bizarre, garish, contemporary punk-apocalyptic updating of Shakespeare classic. Little to be said about this pretentious mess except...avoid it."
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