Showing posts with label Orson Welles. Show all posts
Showing posts with label Orson Welles. Show all posts

Friday, 6 May 2022

Sunday, 11 April 2021

The Other Side of the Wind (2018)



 

A Hollywood director emerges from semi-exile with plans to complete work on an innovative motion picture. 

Posthumously reconstructed Orson Welles film is probably as haphazard and incoherent as its production history, with a complex, barely film-within-a-film plot, massive experimentation with all kinds of cinematic trickery and an overpopulated cast, but besides seemingly random shots, there are many moments of sheer beauty and pure genius.



Thursday, 8 April 2021

They'll Love Me When I'm Dead (2018)


 

In the final fifteen years of the life of legendary director Orson Welles he pins his Hollywood comeback hopes on a film, The Other Side of the Wind, in itself a film about an aging film director trying to finish his last great movie.

Fascinating report about the making and tragedy of a film never fully finished, in itself a cinematic odyssey, full of remarkable insights in the movie industry and the working style of Orson Welles, actually more interesting and suspenseful than the actual product, The Other Side of the Wind.

 


Monday, 5 April 2021

The Fountain of Youth (1958)



 

A couple is conflicted when they are offered a chance at youth. 

Interesting and fascinating experimental TV pilot gives Welles a chance to turn an otherwise quite pulpy script into a more elaborate attempt, made with wit and a Brechtian approach. 



Wednesday, 31 March 2021

Mank (2020)



 

1930s Hollywood is reevaluated through the eyes of scathing wit and alcoholic screenwriter Herman J. Mankiewicz as he races to finish "Citizen Kane."

David Fincher has meticulously assembles a detailed, multilayered, maybe a bit overladen account of 
Mankiewicz' contribution to Citizen Kane, beautifully photographed in black-and-white, full of witty dialogue, enhanced by great performances, but probably can only only appreciated with some knowledge of Hollywood history - repeated viewing.



Wednesday, 15 July 2020

Journey Into Fear (1943)



An American ballistics expert in Turkey finds himself targeted by Nazi agents. Safe passage home by ship is arranged for him, but he soon discovers that his pursuers are also on board.

Entertaining spy drama with a suspenseful plot full of twists shows some of Orson Welles style, but is obviously not fully his intended product.

Halliwell***: "Highly enjoyable impressionist melodrama supervised by Orson Welles and full of his touches and excesses."

Maltin***: "Often baffling WW2 spy drama...still exciting."

Saturday, 7 March 2020

Sunday, 14 July 2019

Orson Welles


“Orson Welles, Portrait with Symbols” by Irving Penn, taken around 1945

Monday, 15 August 2016

Compulsion (1959)



Two sociopathic students Artie Straus and Judd Steiner murder a boy in a philosophical exercise to commit the flawless crime.

Solid study of an unusual crimonal case with an excellent cast, but when Orson Welles arrives late in the story he somewhat steals the show.

Halliwell*: "Rather dogged but earnest fictionalization of the Leopold-Loeb case with solid performances and production."

Maltin***1/2: "Hard-hitting version...Good characterizations, period decor, and well-edited courtroom scenes."

 

Thursday, 26 May 2016

La fabuleuse aventure de Marco Polo (1965)



Young Marco Polo travels to China to help Kublai Khan fight against rebels, headed by his own son, with a new invention: gunpowder.

Entertaining and colorful, but wildy unhistorical Hollywood adevnture tale.

Halliwell (no star): "Curious mixture of melodrama and pantomime, with a star cast half playing for laughs."

Maltin**1/2: "Laighable mini-epic, extremely choppy, with episodic sequences pretending to recount events in life of medieval adventurer."