Showing posts with label David Hemmings. Show all posts
Showing posts with label David Hemmings. Show all posts

Thursday, 14 November 2019

Murder by Decree (1979)



Sherlock Holmes investigates the murders committed by Jack the Ripper and discovers a conspiracy to protect the killer.

From memory:  Stolid and pedestrian Sherlock Holmes mystery has good production value and Plummer and Mason are well cast as Holmes/Watson, but the large ensemble of stars could have been put to better use.

Halliwell (no star): "Interminably long and unpardonably muddled variation on this over-familiar theme, with halts for the performances of guest star and no clear grip on narrative or character."

Maltin***: "Involved, often lurid story doesn't sustain through conclusion, but flaws overshadowed by warm interpretations of Holmes and Watson by Plummer and Mason."

Sunday, 13 October 2019

Les liens de sang (1978)



A homicide detective is trying to solve the brutal murder of  a 17-year-old girl.

From memory:  Top-notch crime thriller with psychological depth, good cast and cinematography, but made in a more mainstream style unusual for its director.

Halliwell (no star): "Dull psychological thriller, with stock characters and showing none of the flair that Chabrol has exhibited when examining the French middle classes under pressure."

Maltin***: "Interesting cast and Chabrol's cold, scientifically masterful direction make this less unpleasant and gory than it might have been."


Tuesday, 18 April 2017

Profondo rosso (1975)

 
 
After witnessing the murder of a famous psychic, a musician teams up with a feisty reporter to find the killer while evading attempts on their lives by the unseen assailant bent on keeping a dark secret buried.
 
Creepy horror thriller in classic Argento style: dark atmosphere, bizarre murders and an irritating soundtrack; the original uncut Italian version is - in parts - bit too talkative.
 
Halliwell**: "Slick, stylish, decadent, suspenseful thriller, with a disquieting atmosphere that continually puts its audience, like its victims, off-balance. Hemmings's character owes much to his role in Antonioni's Blow Up." 

Maltin**1/2: "There's style to burn in senseless horror thriller...Flashy, bizarre murders set to pounding rock soundtrack."