Antiviral (2012)

 

A thriving industry sells celebrity illnesses to their obsessed fans. Employee Syd March's attempts to exploit the system backfire when they involve him in a potentially deadly mystery.

A truly dystopian vision presents a future in which capitalist interests have created a market for body modification and the spread of viruses; well made and photographed in clinical whites enhancing the horror of the goings-on and the truly devastating ending.

 

 

Get Out (2017)

A young African-American visits his white girlfriend's parents for the weekend, where his simmering uneasiness about their reception of him eventually reaches a boiling point.

A bit reminiscent of The Stepford Wives, the satire seamlessly turns into outright horror; the movie is at its best conveying the ominously 'liberal' white community.

Three Billboards Outside Ebbing, Missouri (2017)

A mother personally challenges the local authorities to solve her daughter's murder when they fail to catch the culprit.

Unusual, Western-like smalltown drama is well-staged, magnificently photographed and, above all, offers some extraordinary and convincing performances; however, the movie presents a view of rural America in which all protagonists operate on gut-level only without much intelligence and where law seems to be an irrelevant matter.