Us (2019)

A family's serene beach vacation turns to chaos when their doppelgängers appear and begin to terrorize them.

Straightforward horror thriller slyly taking the doppelgänger motif to its extreme with subtle, but clear political undertones; however, an explanatory passage about the goings-on somewhat spoils the mystery.

Get Out (2017)

A young African-American visits his white girlfriend's parents for the weekend, where his simmering uneasiness about their reception of him eventually reaches a boiling point.

A bit reminiscent of The Stepford Wives, the satire seamlessly turns into outright horror; the movie is at its best conveying the ominously 'liberal' white community.