Showing posts with label Emmanuelle Seigner. Show all posts
Showing posts with label Emmanuelle Seigner. Show all posts

Wednesday, 11 May 2022

Détective (1985)


 

At a Paris hotel, a hotel detective fired after a murder there, is still investigating helped by his inspector nephew and girlfriend. A boxing manager, owing money to a couple and the mafia, rides on a match next day.

Typical for its director, this overpopulated crime puzzle is made with brilliant style and has its moments of miniature intellectual insights and wit and is never boring, but on this occasion doesn't quite add up.

Halliwell*: "Eccentric Grand Hotel-style compendium with many baffling asides presumably attributable to the director. One suspects that the audience is expected to be a detective too."

Maltin**: "The scenario takes a backseat in this talky, contrived film noir homage...The look and feel are uniquely of the director, but it's ultimately annoying, more a concept than a movie." 



Saturday, 27 April 2019

At Eternity's Gate (2018)



A look at the life of painter Vincent van Gogh during the time he lived in Arles and Auvers-sur-Oise, France.

Intense. captivating and thorough analysis  of the artist's personality and art; Willem Dafoe's extraordinary performance makes it even more convincing.


Monday, 22 April 2019

D'après une histoire vraie (2017)



A writer goes through a tough period after the release of her latest book, as she gets involved with an obsessive admirer.

Well-staged intense psychological drama with a (predictable) twist can't avoid the impression one has already been here before, but the Seigner's and Green's performances are well worth the watch.


Sunday, 17 January 2016

Bitter Moon (1992)



On a cruise heading for India, a young couple meet another, highly unconventional couple, an American unpublished writer in a wheelchair and his much younger Parisian wife, who insist on telling their unsettling life story.

Overlong and quite dated tale of a sadomasochistic amour fou that tries to go all the way, but risks some silly scenes as well.

Halliwell (no star): "Incoherent melodrama of the corruption of innocence; but we've aal been here too many times before for this treatment to carry any appeal."

Maltin**1/2: "Deliciously trashy tale...Often overwrought, with laughable dialogue and not-to-be-believed sex scenes. Aguilty pleasure to be sure."