Friday, 3 June 2016
Wednesday, 1 June 2016
Tuesday, 31 May 2016
Stalag 17 (1953)
When two escaping American World War II prisoners are killed, the German POW camp barracks black marketeer is suspected of being an informer.
A typical Billy Wilder mixture of humor and drama, an ensemble piece, highly entertaining, but politically a bit dubious, if not dated.
Halliwell**: "High jinks, violence and mystery in a sharply calculated mixture; an atmosphere quite different from the understated British films on the subject."
Maltin****: "The pinnacle of all WW2 POW films...Wilder brilliantly blends drama with comedy to show monotonous, anxiety-ridden life of POWs."
Blow Out (1981)
A movie sound recordist accidentally records the evidence that proves that a car accident was actually murder and consequently finds himself in danger.
Classic Brian De Palma thriller with an abundance of cinematic allusions, top-notch in all departments, but, this time around, not quite as suspenseful.
Halliwell (no star): "Showily unpleasant thriller concocted of equal parts of The Conversation, Blow Up, and Kennedy at Chappaquiddik; the work of a copycat talent operating below par."
Maltin**1/2: "Intriguing variation on Antonioni's BLOWUP...Absorbing most of the way, but weakened by show-off camerawork and logic loop-holes."
Subscribe to:
Posts (Atom)












