Tuesday, 31 May 2016

Luchino Visconti


Stalag 17 (1953)



When two escaping American World War II prisoners are killed, the German POW camp barracks black marketeer is suspected of being an informer.

A typical Billy Wilder mixture of humor and drama, an ensemble piece,  highly entertaining, but politically a bit dubious, if not dated.

Halliwell**: "High jinks, violence and mystery in a sharply calculated mixture; an atmosphere quite different from the understated British films on the subject."

Maltin****: "The pinnacle of all WW2 POW films...Wilder brilliantly blends drama with comedy to show monotonous, anxiety-ridden life of POWs."


When the Earth Cracked Open


A Hammer Horror movie that never was realized, cover girl seems to be Caroline Munro.

Blow Out (1981)



A movie sound recordist accidentally records the evidence that proves that a car accident was actually murder and consequently finds himself in danger.

Classic Brian De Palma thriller with an abundance of cinematic allusions, top-notch in all departments, but, this time around, not quite as suspenseful.

Halliwell (no star): "Showily unpleasant thriller concocted of equal parts of The Conversation, Blow Up, and Kennedy at Chappaquiddik; the work of a copycat talent operating below par."

Maltin**1/2: "Intriguing variation on Antonioni's BLOWUP...Absorbing most of the way, but weakened by show-off camerawork and logic loop-holes."


Meiko Kaji