Wednesday, 29 June 2022
Tuesday, 28 June 2022
Sunday, 26 June 2022
Wendy and Lucy (2008)
Over the summer, a series of unfortunate happening triggers a financial crisis for a young woman and she soon finds her life falling apart.
Intense and gripping drama of isolation and loneliness amidst smalltown American settings is very well observed, and Michelle Williams' performance is extraordinary.
Saturday, 25 June 2022
Stanley Tucci: Searching for Italy (2021)
Stanley Tucci travels across Italy to discover the secrets and delights of the country's regional cuisines.
Entertaining, informative and sometimes revealing documentary series explores the culinary specialties and some history of Italian regions, meeting interesting cooks and producers, all personally introduced and interviewed by Stanley Tucci who obviously is enjoying it as much as his audience.
Tuesday, 21 June 2022
Cría Cuervos (1976)
In the twilight of Francisco Franco's dictatorship, an eight-year-old orphan and her two sisters find shelter in the house of their stern aunt, trying their best to acclimatise to a new reality.
Carlos Saura's film is told through the perspective of a young child (and her older self) and interweaves past, present and future,
but also includes imagined and surreal scenes, albeit staged so
masterfully that it all remains stringent and comprehensible and the
political implications are apparent; again, Geraldine Chaplin convinces
in a double role (as the mother and as the adult child).
Halliwell*: "Elliptical story of childhood and of women trapped in a world dominated by men; it is ever less than watchable, but its meaning, possibly obliquely political, remains obscure."
Friday, 10 June 2022
Akasen chitai (1956)
The personal tales of various prostitutes who occupy a brothel.
Kenji Mizuguchi's last film startles with a narrative full of subplots centered on the turmoil and sorrows of one brothel's inhabitants; lively staged with a large cast there are some strong and heart-wrenching scenes along the way.
Halliwell*: "Unremarkable material executed with the style expected of the director."
Maltin***1/2: "...sensitively handled in Mizoguchi's last completed film. Kyo is particularly memorable as a tough, cynical lady of the night; her scene with her father is a highlight."





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