Monday, 28 October 2019

Léa Seydoux


The Brink's Job (1978)



Crime story based on the real armed robbery of the Brink's Building in Boston, Massachusetts, on January 17th, 1950.

From memory: Professionally made, star-cast heist movie is offered with humor, but not much excitement.

Halliwell (no star): "Farcical variation of a much-told true tale. Despite much mugging by the stars and a frantic narrative style, it does not come off."

Maltin***: "Entertaining, comically oriented account...Excellent period and location flavor."


Sunday, 27 October 2019

Sylvia Kristel


The Man Who Cheated Himself (1950)



A veteran homicide detective who has witnessed his socialite girlfriend kill her husband sees his inexperienced brother assigned to the case.

Slyly convoluted crime drama is lively and efficient; more sophisticated than the usual fare.

Halliwell (no star): "Efficient crime drama."

Maltin**1/2: "Generally absorbing murder yarn."

Jessica Biel

Lady Bird (2017)



In 2002, an artistically inclined seventeen-year-old girl comes of age in Sacramento, California.

Excellently executed movie about a mother-daughter drama made with cinematic sense and in good taste; Ronan and Metcalf are extraordinary.

Bride of Frankenstein (1935)


Foul Play (1978)



A shy San Francisco librarian and a bumbling cop fall in love as they solve a crime involving albinos, dwarves, and the Catholic Church.

From memory: Likable, but messy Hitchcock spoof with lots of hit or miss humor, mainly watchable for its star cast.

Halliwell*: "Sometimes sprightly, sometimes tired rehash of Hitchcock elements, rather on the level of the similar Silver Streak."

Maltin**!/2: "Likable stars, good fun, but protracted story, tasteless comedy, and Hitchcock plagiarism detract."


Saturday, 26 October 2019

Lola Kirke


(ph: Toby Knott)

Blonde Ice (1948)



A society reporter kills men for fame and money, then tries to frame a sportswriter.

Watchable crime drama with a touch of film noir and a good female lead; however, her motivations remain vague, and the psychoanalytical mumbo-jumbo at the ending explaining it all is annoying.

Maltin**1/2: "Enjoyable noir-ish programmer; Brooks delivers as an icy femme fatale."