Friday, 15 December 2017
When a scientist sent back to the prehistoric era strays off the path he causes a chain of events that alters history in disastrous ways.
Disappointingly below-average sci-fi yarn has a silly, logic-defying plot, poor performances and risible special effects to match; it does show some imagination with its array of mutant creatures.
Maltin*1/2: "Misguided expansion of Ray Bradbury short story with mediocre effects and a confusing script. It's easy to see why this remained on the shelf so long."
Steve Jobs takes us behind the scenes of the digital revolution, to paint a portrait of the man at its epicenter. The story unfolds backstage at three iconic product launches, ending in 1998 with the unveiling of the iMac.
Energetic, breathless tour-de-force character study easily makes one forget that it mostly consists of talking heads; Winslet and Fassbender deliver amazing performances.
Seven mini-stories of adultery: "Funeral Possession," a wayward widow at her husband's funeral; "Amateur Night," angry wife becomes streetwalker out of revenge; "Two Against One," seemingly prudish girl turns out otherwise; "Super Simone," wife vainly attempts to divert her over-engrossed writer husband; "At the Opera," a battle over a supposedly exclusive dress; "Suicides," a death pact; "Snow," would-be suitor is actually a private detective hired by jealous husband.
Slight and not really that amusing gender comedy without any depth; Shirley MacLaine is the only attraction in this anthology.
Halliwell (no star): "Humourless after-dinner entertainment."
Maltin***: "...some funny moments, some perceptive comments, but with that cast and director, it should have been much better."
Tuesday, 12 December 2017
Sunday, 10 December 2017
Fearing that the actions of Superman are left unchecked, Batman takes on the Man of Steel, while the world wrestles with what kind of a hero it really needs.
Above-average superhero drama delivers the goods (mostly mayhem) and adds tension to the encounter of Batman and Superman plus some badly needed help from Wonder Woman, collateral damage included.
Saturday, 9 December 2017
Healthcare professionals, government officials and everyday people find themselves in the midst of a worldwide epidemic as the CDC works to find a cure.
Realistic, grand-scale and star-cast catastrophe movie manages to keep multiple stories and locations seamlessly in line with the major plot; however, the matter-of-fact approach underplays the doom of a pandemic.
Maltin***: "Pulse-pounding account...Scott Z. Burns' screenplay is scary because it's all so credible. Soderbergh handles the material in utterly straightforward fashion; there's no poetry here."
A LAPD officer will stop at nothing to force out the interracial couple who just moved in next door.
Basically a bad neighbor thriller, there's a subtext of racial tension that irritates; Samuel Jackson L. Jackson as the villain easily steals the show.
Maltin**1/2: "Provocative and well-acted, but film's constantly shifting sympathies make it difficult to know what the point is supposed to be."
Friday, 8 December 2017
Thursday, 7 December 2017
A shady lawyer attempts a Christmas Eve crime, hoping to swindle the local mob out of some money, but his partner, a strip club owner, might have different plans for the cash.
Somnambulant - and humorless - heist thriller takes its time till it reveals that it actually does have a plot; good cast is hardly faced with any challenge.
Maltin**: "Mostly unfunny black comedy must have worked better on the pages of Scott Phillip's novel..."
Tuesday, 5 December 2017
When a con man desperate for work, muscles into the world of L.A. crime journalism, he blurs the line between observer and participant to become the star of his own story.
The story has been told before (Billy Wilder's Ace in the Hole comes to mind), but Jake Gyllenhaal's portrayal of a soulless reporter adds a whole dimension of frightening demonical possession.
Six years after Earth has suffered an alien invasion, a cynical journalist agrees to escort a shaken American tourist through an infected zone in Mexico to the safety of the U.S. border.
Refreshingly idiosyncratic sci-fi road movie uses the term aliens in both senses of the word (the USA even has built a large wall on the Mexican border!), but the low budget shows with the monster scenes held mostly in dark, and the human interest in the story is quite limited.
Maltin**1/2: "Unusually conceived, ultra-low-budget is surprisingly intelligent and occasionally suspenseful, though it's overlong, inconclusive, and the acting level varies sharply. Still, an impressive debut..."
Sunday, 3 December 2017
In 1960, seven pre-teen outcasts fight an evil demon who poses as a child-killing clown. Thirty years later, they reunite to stop the demon once and for all when it returns to their hometown.
Lacklustre TV adaptation of Stephen King's mammoth novel doesn't spark any fright or thrills and goes too long for its undramatic ending; the children's sequences are superior to the 'present day' story.
Clark Kent, one of the last of an extinguished race disguised as an unremarkable human, is forced to reveal his identity when Earth is invaded by an army of survivors who threaten to bring the planet to the brink of destruction.
Good variation of the Superman saga thrills with great production and effects and a nicely assembled cast; alas, the final duel gives the term 'collateral damage' a whole new dimension.
Maltin**1/2: "...never quite soars, despite a promising start...the second half of the movie, a nonstop demolition derby that resembles a loud, raucous TRANSFORMERS movie and leaves its characters on the back burner. A good cast, led by the finely chiseled Cavill, can only do so much with this material."